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Why There is No Return to Religion Without Falsification
Religion as a Historical Form, Not an Eternal Option The contemporary call for a return to religion, or spirituality, is often framed as a corrective to modern nihilism, addiction, violence, and technological abstraction. Such appeals assume that religion represents a lost resource that might be recovered if belief were renewed, practice reinstated, or transcendence re-affirmed….
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The Absolute After Transcendence
Technology, Born Man, and the Logic of Addiction Modern addiction cannot be adequately understood within moral, medical, or therapeutic frameworks alone, because it does not originate at the level those frameworks presuppose. Addiction is not a contingent pathology that happens to proliferate in modern society; it is a historically intelligible response to the completion of…
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Addiction After Meaning: Part I
From Depth Psychology to Civilizational Logic The original thesis The End of Addiction: A Depth Psychological View of Alcoholism was written at a historical threshold. It belongs to a moment when the inherited explanatory frameworks surrounding addiction—disease, sin, morality, spirituality—were still in active competition, still capable of organizing intelligibility. The work’s ambition was not merely…
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Nervous System, Archetype, and Meaning at Birth
Reframing Astrology Beyond Causation Contemporary discussions of temperament and personality increasingly emphasize neurobiological organization at birth, while astrology is typically dismissed as pre-scientific superstition. This essay argues that such dismissal rests on a category error. Drawing on Richard Tarnas’ theory of archetypal coherence and Liz Greene’s depth-psychological approach to astrology, the paper reframes astrology not…
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Mary Shelly
Frankenstein and the Collapse of the Unus Mundus before Modernity Mary Shelley’s Frankenstein can be read as a decisive cultural drama in which an older symbolic vision of unity—articulated by figures such as Gerhard Dorn and later psychologized by C. G. Jung—breaks down under the pressure of modern, implicitly Hegelian consciousness. The novel stages the…
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The Placebo Effect and the Crisis of Meaning in Modernity
When situated within the broader horizon of modernity, the placebo effect ceases to appear as a marginal curiosity of clinical medicine and instead emerges as a symptom of a deeper anthropological tension: the persistence of meaning as a causal force within a civilization that officially denies its legitimacy. Modernity’s self-understanding depends upon the purification of…
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The Placebo Effect
Meaning, Expectation, and the Biology of Healing Within medical science, the placebo effect refers to genuine physiological and psychological changes that arise not from the pharmacological properties of a treatment, but from the meanings, expectations, and contexts surrounding it. Long dismissed as a confounding variable or a methodological nuisance, the placebo effect is now recognized…
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Friedrich Nietzsche
The Will to Power is not Nietzsche’s doctrine — it is Nietzsche’s laboratory. The Will to Power must not be approached as Nietzsche’s philosophical system. It is not a finished doctrine, nor even a unified book in the conventional sense. It is, rather, a laboratory of thinking in extremis—a record of concepts under pressure, written…
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When Evil Becomes Necessary
Thunderbolts (2025) functions less as a conventional superhero film than as a cultural dream in which unresolved moral structures are staged rather than resolved. Beneath its surface narrative of antiheroes and state-sanctioned violence, the film quietly incorporates multiple historical and symbolic layers: a Dantean stratification of moral culpability, a post–World War II logic of “necessary…
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Se7en and Nietzsche’s Genealogy of Morals
Ressentiment, Bad Conscience, and the Addictive Superego David Fincher’s Se7en can be read as a cinematic enactment of Nietzsche’s On the Genealogy of Morals: a world in which morality has lost its life-affirming function and survives only as punishment, guilt, and compulsive cruelty. The film does not depict sin in a theological sense, but sin…